🇭🇺Franz Liszt : Années de pèlerinage première année “Suisse” Au lac de Wallenstadt in A-Dur S.160/R.10-2
DifficultyThe base difficulty score is calculated using AI-assisted analysis.
MECHANICS
62.0
上級
Mus
★
★
★
★
★
4.0
Advanced
About This Piece’s Difficulty
Piabase rates this piece at 62.0 for technical difficulty ("Advanced") and 4.0 for musicality.Secure technique is required, and detailed control and the ability to shape the performance as a whole become important.Advanced expressive ability is required to shape tone color, phrasing, and the character of the work with care.
Play Status
0
Total
Played
0
Practicing
0
Want to Play
0
Suitability
0
Total
Competition
0
Concert
0
Exam
0
Performance Videos
Pieces at a Similar Difficulty
Franz Peter Schubert
2 German Dances No.2 in D-Dur D769
Advanced Tec62.0
Mus★ 4.0
Franz Peter Schubert
2 German Dances No.2 in G-Dur D974
Advanced Tec62.0
Mus★ 4.0
Anatoly Konstantinovich Lyadov
2 Intermezzi Allegro con Fuoco Op.8-1
Advanced Tec62.0
Mus★ 4.0
Franz Peter Schubert
3 German Dances No.2 in A-Dur D972
Advanced Tec62.0
Mus★ 4.0
Franz Peter Schubert
3 German Dances No.2 in D-Dur D973
Advanced Tec62.0
Mus★ 4.0
Franz Peter Schubert
3 German Dances No.2 in Es-Dur D971
Advanced Tec62.0
Mus★ 4.0
Ludwig van Beethoven
3 Marches for Four Hands No.1 in C-Dur Op.45-1
Advanced Tec62.0
Mus★ 4.0
Ludwig van Beethoven
3 Marches for Four Hands No.2 in Es-Dur Op.45-2
Advanced Tec62.0
Mus★ 4.0
This lyrical miniature places a long-breathed melody over gently undulating broken-chord accompaniment. The delicate flow of notes, suggestive of movement across the surface of the water, remains constant as the melody begins quietly and gradually expands in register and sonority toward a climax. In the latter part, the tension eases and the music returns to the calm of the opening before closing with a lingering afterglow. In performance, it is essential to keep the accompaniment light and even while clearly shaping the melody’s tone and breathing. The pedal should support the resonance without allowing it to become blurred, and giving the phrases a natural sense of direction toward their peaks brings out both the stillness of the lake and the work’s inward lyricism.