🇭🇺Franz Liszt : Am Grabe Richard Wagners h-moll S.202/R.85
DifficultyThe base difficulty score is calculated using AI-assisted analysis.
MECHANICS
70.0
上級
Mus
★
★
★
★
★
5.0
Elite
About This Piece’s Difficulty
Piabase rates this piece at 70.0 for technical difficulty ("Advanced") and 5.0 for musicality.Secure technique is required, and detailed control and the ability to shape the performance as a whole become important.Alongside deep understanding of the work, an exceptionally high level of musical expression is required in tone, phrasing, timing, and structure.
Play Status
0
Total
Played
0
Practicing
0
Want to Play
0
Suitability
0
Total
Competition
0
Concert
0
Exam
0
Performance Videos
Pieces at a Similar Difficulty
Nikolai Karlovich Medtner
3 Pieces Fairy Tale Op.31-3
Advanced Tec70.0
Mus★ 5.0
Nikolai Karlovich Medtner
4 Pieces Prelude in Es-Dur Op.4-4
Advanced Tec70.0
Mus★ 5.0
Franz Peter Schubert
6 Grandes Marches et Trio No.5 in es-moll D 819 Op.40-5
Advanced Tec70.0
Mus★ 5.0
Franz Liszt
7 Lieder (Mendelssohn) S.547/R.217 No.3 “Travel Song”
Advanced Tec70.0
Mus★ 5.0
Franz Liszt
7 Lieder (Mendelssohn) S.547/R.217 No.6 “Winter Song”
Advanced Tec70.0
Mus★ 5.0
Nikolai Karlovich Medtner
8 Mood Pictures Allegro con umore Op.1-6
Advanced Tec70.0
Mus★ 5.0
Alexander Scriabin
24 Preludes H-Dur Op.11-11
Advanced Tec70.0
Mus★ 5.0
Franz Liszt
An die ferne Geliebte (Beethoven) S.469
Advanced Tec70.0
Mus★ 5.0
This late piano work by Liszt conveys profound mourning through a restrained musical language. From the opening, weighty chords that include the low register are set against a quiet progression, with the resonance shaping the music’s breathing. As the piece unfolds, changes in register and dynamics heighten the tension, yet the music is not driven forward dramatically; instead, its overall flow makes expressive use of silence. The changing harmonies should be carefully brought out, while the pedal should preserve resonance without allowing the sound to become blurred. Even when the melody is given a singing quality, avoiding exaggerated emotion and attending to the balance between voices and the spaces between phrases will communicate the work’s quiet sense of mourning.