🇳🇴Edvard Grieg : Album Leaves No.1 Op.28-1
DifficultyThe base difficulty score is calculated using AI-assisted analysis.
MECHANICS
46.0
中級
Mus
★
★
★
★
★
5.0
Elite
About This Piece’s Difficulty
Piabase rates this piece at 46.0 for technical difficulty ("Intermediate") and 5.0 for musicality.In addition to fundamental technique, this piece calls for a wider range of skills, including secure fingering and detailed control.Alongside deep understanding of the work, an exceptionally high level of musical expression is required in tone, phrasing, timing, and structure.Musical shaping matters more than the technical difficulty alone suggests, and expressive refinement after the notes are learned strongly affects the finished result.
Play Status
0
Total
Played
0
Practicing
0
Want to Play
0
Suitability
0
Total
Competition
0
Concert
0
Exam
0
Performance Videos
Pieces at a Similar Difficulty
Erik Satie
3 Gnossiennes No.1
Intermediate Tec46.0
Mus★ 5.0
Franz Peter Schubert
3 Heroic Marches No.1 in h-moll D 602 Op.27-1
Intermediate Tec46.0
Mus★ 5.0
Erik Satie
4 Préludes Premier Prélude Nazaréen
Intermediate Tec46.0
Mus★ 5.0
Ottorino Respighi
6 Pieces No.3 Nocturne
Intermediate Tec46.0
Mus★ 5.0
Enrique Granados
Album de Melodias Paris 1888 – Andante
Intermediate Tec46.0
Mus★ 5.0
Enrique Granados
Album de Melodias Paris 1888 – Child Falling Asleep
Intermediate Tec46.0
Mus★ 5.0
Enrique Granados
Album de Melodias Paris 1888 – Happiness Is Enough
Intermediate Tec46.0
Mus★ 5.0
Enrique Granados
Album de Melodias Paris 1888 – To Sarah
Intermediate Tec46.0
Mus★ 5.0
No. 1 from Grieg’s Album Leaves is a miniature with an appealing, songful melody and delicate harmonic shifts. The main melody emerges over a gently flowing accompaniment, while exchanges between melodic lines and changes in sonority create a natural sense of rise and fall within its compact span. In performance, it is important to shape the melodic peaks and phrase endings carefully while keeping the inner voices and accompaniment discreet. A supple touch that connects the notes, a tempo with a sense of breathing, and careful pedaling that avoids clouding the harmony bring out the piece’s intimate, lyrical charm.