🇩🇪Robert Schumann : Album fur die Jugend Mignon in Es-Dur Op.68-35
DifficultyThe base difficulty score is calculated using AI-assisted analysis.
MECHANICS
40.0
中級
Mus
★
★
★
★
★
4.0
Advanced
About This Piece’s Difficulty
Piabase rates this piece at 40.0 for technical difficulty ("Intermediate") and 4.0 for musicality.In addition to fundamental technique, this piece calls for a wider range of skills, including secure fingering and detailed control.Advanced expressive ability is required to shape tone color, phrasing, and the character of the work with care.Musical shaping matters more than the technical difficulty alone suggests, and expressive refinement after the notes are learned strongly affects the finished result.
Play Status
0
Total
Played
0
Practicing
0
Want to Play
0
Suitability
0
Total
Competition
0
Concert
0
Exam
0
Performance Videos
Pieces at a Similar Difficulty
Bartók Béla Viktor János
3 Piano Pieces No.1 in b-moll BB 8
Intermediate Tec40.0
Mus★ 4.0
Bartók Béla Viktor János
10 Easy Piano Pieces No.6 Hungarian Folk Song BB 51 Sz 39
Intermediate Tec40.0
Mus★ 4.0
Edvard Grieg
25 Norwegian Dances and Songs Spring Dance Op.17-1
Intermediate Tec40.0
Mus★ 4.0
Mily Alekseyevich Balakirev
30 Russian Folk Songs No.6 Kings Sons from Krakow in c-moll
Intermediate Tec40.0
Mus★ 4.0
Mily Alekseyevich Balakirev
30 Russian Folk Songs No.8 Nikita Romanovich in d-moll
Intermediate Tec40.0
Mus★ 4.0
Wolfgang Amadeus Mozart
Adagio in C-Dur for Glass Harmonica, K.356
Intermediate Tec40.0
Mus★ 4.0
Robert Schumann
Album fur die Jugend Erinnerung in A-Dur Op.68-28
Intermediate Tec40.0
Mus★ 4.0
Robert Schumann
Album fur die Jugend Scheherazade in a-moll Op.68-32
Intermediate Tec40.0
Mus★ 4.0
A short character piece from Schumann’s Album for the Young, centered on a singing melody. The right-hand melody unfolds through a series of brief phrases, while the gentle left-hand accompaniment supports its flow. A particular point of interest is the way the harmony gradually changes within the presentation and repetition of the melody, while maintaining a quiet sense of feeling. In performance, the right hand should sing freely, with the left hand kept suitably restrained and a long, continuous legato maintained through the ends of the phrases. The pedal should be changed carefully with the harmonic shifts so that the sound remains clear.