🇪🇸Enrique Granados : Album de Melodias Paris 1888 – Mazurka in E-flat Major
DifficultyThe base difficulty score is calculated using AI-assisted analysis.
MECHANICS
48.0
中級
Mus
★
★
★
★
★
5.0
Elite
About This Piece’s Difficulty
Piabase rates this piece at 48.0 for technical difficulty ("Intermediate") and 5.0 for musicality.In addition to fundamental technique, this piece calls for a wider range of skills, including secure fingering and detailed control.Alongside deep understanding of the work, an exceptionally high level of musical expression is required in tone, phrasing, timing, and structure.Musical shaping matters more than the technical difficulty alone suggests, and expressive refinement after the notes are learned strongly affects the finished result.
Play Status
0
Total
Played
0
Practicing
0
Want to Play
0
Suitability
0
Total
Competition
0
Concert
0
Exam
0
Performance Videos
Pieces at a Similar Difficulty
Anatoly Konstantinovich Lyadov
3 Bagatelles Op.53-2
Intermediate Tec48.0
Mus★ 5.0
Franz Peter Schubert
3 Marches Militaires No.2 in G-Dur D 733 Op.51-2
Intermediate Tec48.0
Mus★ 5.0
Erik Satie
4 Préludes Le Festin chevaleresque
Intermediate Tec48.0
Mus★ 5.0
Igor Fyodorovitch Stravinsky
5 Easy Pieces Galop
Intermediate Tec48.0
Mus★ 5.0
Pyotr Ilyich Tchaikovsky
6 Morceaux Album Leaf in D-Dur Op.19-3
Intermediate Tec48.0
Mus★ 5.0
Pyotr Ilyich Tchaikovsky
6 Pieces Album Leaf in D-Dur Op.19-3
Intermediate Tec48.0
Mus★ 5.0
Enrique Granados
Album de Melodias Paris 1888 – Chorale Tenor Voice
Intermediate Tec48.0
Mus★ 5.0
Enrique Granados
Album de Melodias Paris 1888 – Mazurka in G Minor
Intermediate Tec48.0
Mus★ 5.0
This short piece combines the rhythmic character of a mazurka with the beauty of a singing melody. Beneath its light movement, changes in phrasing and harmonic color bring shifts of expression, balancing an approachable character with delicacy. The melody should be brought clearly to the foreground, while the accompaniment remains light and unobtrusive. It is important to avoid emphasizing the beat accents mechanically and instead preserve a natural flexibility. Handle the smaller gestures without tension, distinguish the character of each section, and vary the tone and dynamics on repetitions to convey the flow of the piece and the charm of its dance character.