Dmitri Borisovich Kabalevsky ： 4 Rondos No.1 Rondo-March Op.60

The first piece from Kabalevsky’s Four Rondos, “Rondo-March,” combines the recurring character of a rondo with the forward momentum of a march in a clear and energetic piano work. The main theme returns at intervals, while contrasting sections appear between its statements, creating a sense of contrast and continuity. Performers should maintain a well-defined pulse and crisp rhythm, giving the theme a pointed, memorable character while differentiating the contrasting sections through tone color and dynamics. Keeping the music light on its feet and making the transitions between sections clear brings out both the march’s strength and the rondo’s approachable appeal.