🇷🇺Dmitri Borisovich Kabalevsky : 4 Preludes No.3 Moderato quasi Andante Op.5-3
DifficultyThe base difficulty score is calculated using AI-assisted analysis.
MECHANICS
54.0
中級
Mus
★
★
★
★
★
4.0
Advanced
About This Piece’s Difficulty
Piabase rates this piece at 54.0 for technical difficulty ("Intermediate") and 4.0 for musicality.In addition to fundamental technique, this piece calls for a wider range of skills, including secure fingering and detailed control.Advanced expressive ability is required to shape tone color, phrasing, and the character of the work with care.Musical shaping matters more than the technical difficulty alone suggests, and expressive refinement after the notes are learned strongly affects the finished result.
Play Status
0
Total
Played
0
Practicing
0
Want to Play
0
Suitability
0
Total
Competition
0
Concert
0
Exam
0
Performance Videos
01:48 から。
Pieces at a Similar Difficulty
Alexander Scriabin
3 Preludes B-Dur Op.35-2
Intermediate Tec54.0
Mus★ 4.0
Pyotr Ilyich Tchaikovsky
3 Romances What Does It Matter in fis-moll Op.16-5
Intermediate Tec54.0
Mus★ 4.0
Alexander Scriabin
4 Preludes As-Dur Op.39-4
Intermediate Tec54.0
Mus★ 4.0
Alexander Scriabin
4 Preludes b-moll Op.37-1
Intermediate Tec54.0
Mus★ 4.0
Alexander Scriabin
4 Preludes D-Dur Op.39-2
Intermediate Tec54.0
Mus★ 4.0
Alexander Scriabin
4 Preludes E-Dur Op.33-1
Intermediate Tec54.0
Mus★ 4.0
Alexander Scriabin
4 Preludes gis-moll Op.22-1
Intermediate Tec54.0
Mus★ 4.0
Alexander Scriabin
4 Preludes H-Dur Op.22-3
Intermediate Tec54.0
Mus★ 4.0
As indicated by the tempo marking Moderato quasi Andante, this prelude is characterized by a calm, unhurried flow and a gentle breath close to Andante. Within its concise design, the music unfolds through the interplay of melody and accompaniment, while subtle dynamic and harmonic changes shape its expression. Its appeal lies in the tension and release that emerge from the quiet flow, as well as the lingering resonance at the ends of phrases. Let the melody sing naturally while keeping the accompaniment restrained, and use the pedal carefully to avoid blurring the sound; this will bring out a transparent and composed performance.