🇭🇺Bartók Béla Viktor János : 4 Dirges IV Assai andante BB 58 Sz 45 Op.9a
DifficultyThe base difficulty score is calculated using AI-assisted analysis.
MECHANICS
57.0
中級
Mus
★
★
★
★
★
5.0
Elite
About This Piece’s Difficulty
Piabase rates this piece at 57.0 for technical difficulty ("Intermediate") and 5.0 for musicality.In addition to fundamental technique, this piece calls for a wider range of skills, including secure fingering and detailed control.Alongside deep understanding of the work, an exceptionally high level of musical expression is required in tone, phrasing, timing, and structure.Musical shaping matters more than the technical difficulty alone suggests, and expressive refinement after the notes are learned strongly affects the finished result.
Play Status
0
Total
Played
0
Practicing
0
Want to Play
0
Suitability
0
Total
Competition
0
Concert
0
Exam
0
Performance Videos
Pieces at a Similar Difficulty
Jean Sibelius
5 Sketches – Song in the Forest Op.114-4
Intermediate Tec57.0
Mus★ 5.0
Gabriel Urbain Fauré
Dolly Suite Tendresse in unknown Op.56-5
Intermediate Tec57.0
Mus★ 5.0
Déodat de Séverac
Le Chant de la Terre Tillage
Intermediate Tec57.0
Mus★ 5.0
Enrique Granados
Love Letters Sorrowful Op.44
Intermediate Tec57.0
Mus★ 5.0
Enrique Granados
Poetic Scenes Book 2 Angel of the Monastery
Intermediate Tec57.0
Mus★ 5.0
Franz Peter Schubert
Polonaise No.4 in D-Dur D 824 Op.61
Intermediate Tec57.0
Mus★ 5.0
Enrique Granados
Slow Dance
Intermediate Tec57.0
Mus★ 5.0
Anatoly Konstantinovich Lyadov
2 Bagatelles Affliction Op.17-1
Intermediate Tec58.0
Mus★ 5.0
The fourth piece of the 4 Dirges, “Assai andante” is a miniature that weaves tense harmonies and austere sonorities into a slow movement suggestive of profound silence. Rather than unfolding through a large, dramatic development, it progresses through brief motifs and overlapping sounds that emerge intermittently, leaving a lingering resonance at the end. Even when bringing out the melodic lines, the performer should avoid excessive emotional exaggeration and carefully articulate the intervals between notes and the fading of each sonority. The pedal should be used with restraint to prevent blurring; when the inner voices and harmonic changes remain clear even at a quiet dynamic, the piece’s sense of solitude and controlled expression comes into focus.