🇷🇺Mily Alekseyevich Balakirev : 30 Russian Folk Songs No.26 Rowan and Raspberry in d-moll
DifficultyThe base difficulty score is calculated using AI-assisted analysis.
MECHANICS
34.0
初級
Mus
★
★
★
★
★
4.0
Advanced
About This Piece’s Difficulty
Piabase rates this piece at 34.0 for technical difficulty ("Elementary") and 4.0 for musicality.This piece can be approached with fundamental technique, while gradually developing accuracy and control.Advanced expressive ability is required to shape tone color, phrasing, and the character of the work with care.Although technically approachable, the piece requires strong expressive ability to sound true to its character.
Play Status
0
Total
Played
0
Practicing
0
Want to Play
0
Suitability
0
Total
Competition
0
Concert
0
Exam
0
Performance Videos
Pieces at a Similar Difficulty
Mily Alekseyevich Balakirev
30 Russian Folk Songs No.13 They Said Fed Shouldnt Drink Beer in G-Dur
Elementary Tec34.0
Mus★ 4.0
Mily Alekseyevich Balakirev
30 Russian Folk Songs No.14 Without Feathers in d-moll
Elementary Tec34.0
Mus★ 4.0
Mily Alekseyevich Balakirev
30 Russian Folk Songs No.15 My Little River in G-Dur
Elementary Tec34.0
Mus★ 4.0
Mily Alekseyevich Balakirev
30 Russian Folk Songs No.20 Oh Geese in G-Dur
Elementary Tec34.0
Mus★ 4.0
Mily Alekseyevich Balakirev
30 Russian Folk Songs No.22 Tree on the Hill in G-Dur
Elementary Tec34.0
Mus★ 4.0
Mily Alekseyevich Balakirev
30 Russian Folk Songs No.29 Oh Winter in g-moll
Elementary Tec34.0
Mus★ 4.0
Mily Alekseyevich Balakirev
30 Russian Folk Songs No.30 She Became the Colonels Wife in C-Dur
Elementary Tec34.0
Mus★ 4.0
Georg Friedrich Händel
Allegro in d-moll HWV 475
Elementary Tec34.0
Mus★ 4.0
The 26th piece in a collection of piano four-hand settings based on Russian folk songs, it presents the melody of “Rowan and Raspberry” through concise piano writing. Centered on an approachable, song-like flow, it invites listeners to notice the exchanges between melody and accompaniment as well as changes in sonority, revealing the breadth of four-hand playing. Shape the flow with awareness of the larger phrases, keeping the melodic part natural and vocal in tone. The accompanying part should support a steady pulse without becoming too prominent, while unified breathing between the two players brings out the melody’s simple charm.