🇷🇺Mily Alekseyevich Balakirev : 30 Russian Folk Songs No.15 My Little River in G-Dur
DifficultyThe base difficulty score is calculated using AI-assisted analysis.
MECHANICS
34.0
初級
Mus
★
★
★
★
★
4.0
Advanced
About This Piece’s Difficulty
Piabase rates this piece at 34.0 for technical difficulty ("Elementary") and 4.0 for musicality.This piece can be approached with fundamental technique, while gradually developing accuracy and control.Advanced expressive ability is required to shape tone color, phrasing, and the character of the work with care.Although technically approachable, the piece requires strong expressive ability to sound true to its character.
Play Status
0
Total
Played
0
Practicing
0
Want to Play
0
Suitability
0
Total
Competition
0
Concert
0
Exam
0
Performance Videos
Pieces at a Similar Difficulty
Mily Alekseyevich Balakirev
30 Russian Folk Songs No.13 They Said Fed Shouldnt Drink Beer in G-Dur
Elementary Tec34.0
Mus★ 4.0
Mily Alekseyevich Balakirev
30 Russian Folk Songs No.14 Without Feathers in d-moll
Elementary Tec34.0
Mus★ 4.0
Mily Alekseyevich Balakirev
30 Russian Folk Songs No.20 Oh Geese in G-Dur
Elementary Tec34.0
Mus★ 4.0
Mily Alekseyevich Balakirev
30 Russian Folk Songs No.22 Tree on the Hill in G-Dur
Elementary Tec34.0
Mus★ 4.0
Mily Alekseyevich Balakirev
30 Russian Folk Songs No.26 Rowan and Raspberry in d-moll
Elementary Tec34.0
Mus★ 4.0
Mily Alekseyevich Balakirev
30 Russian Folk Songs No.29 Oh Winter in g-moll
Elementary Tec34.0
Mus★ 4.0
Mily Alekseyevich Balakirev
30 Russian Folk Songs No.30 She Became the Colonels Wife in C-Dur
Elementary Tec34.0
Mus★ 4.0
Georg Friedrich Händel
Allegro in d-moll HWV 475
Elementary Tec34.0
Mus★ 4.0
This is a four-hand arrangement based on a Russian folk song. Centered on a familiar melody, the accompaniment supports a gentle flow as the two pianists shape a unified musical expression. Listening for the passing and overlapping of the melody, as well as changes in the balance between voices, reveals both the song’s simple lyricism and the spaciousness offered by the piano. In performance, the main melody should first be allowed to sing with natural breathing, while the accompaniment remains restrained and maintains the flow of the beat. Carefully shaping the ends of phrases and coordinating the pedal and tempo while listening to one another creates a soft, well-balanced sonority. A key point is to distinguish the character of each section while bringing the whole piece together as one song.