🇷🇺Alexander Scriabin ： 2 Preludes g-moll Op.27-1

Within its brief span, this prelude condenses a long-breathed melody and subtle shifts of harmony. At the opening, the singing right-hand line should be brought carefully to the fore, while the accompaniment remains quiet and supports the musical flow. A gradual increase in harmonic tension toward the middle, followed by a return to stillness, is one of its most compelling features. The performer should identify the peaks of the melody, listen closely to the inner voices, and avoid connecting the sonority too heavily with the pedal. Rather than fixing the tempo rigidly, a natural flexibility that suggests breathing brings out the work’s intimate character.