🇷🇺Pyotr Ilyich Tchaikovsky : 18 Morceaux In the Style of Chopin in cis-moll Op.72-15
DifficultyThe base difficulty score is calculated using AI-assisted analysis.
MECHANICS
66.0
上級
Mus
★
★
★
★
★
3.0
Intermediate
About This Piece’s Difficulty
Piabase rates this piece at 66.0 for technical difficulty ("Advanced") and 3.0 for musicality.Secure technique is required, and detailed control and the ability to shape the performance as a whole become important.Fundamental musical expression, including dynamics, phrasing, and articulation, becomes an important part of the performance.
Play Status
0
Total
Played
0
Practicing
0
Want to Play
0
Suitability
0
Total
Competition
0
Concert
0
Exam
0
Performance Videos
Pieces at a Similar Difficulty
Aram Il’ich Khachaturian
2 Pieces Dance
Advanced Tec66.0
Mus★ 3.0
Felix Mendelssohn
6 Children Pieces No.2 in Es-Dur MWV.U170 Op.72
Advanced Tec66.0
Mus★ 3.0
Felix Mendelssohn
6 Children Pieces No.4 in D-Dur MWV.U169 Op.72
Advanced Tec66.0
Mus★ 3.0
Felix Mendelssohn
6 Children Pieces No.6 in F-Dur MWV.U168 Op.72
Advanced Tec66.0
Mus★ 3.0
Ernst von Dohnányi
6 pieces Scherzino Op.41-2
Advanced Tec66.0
Mus★ 3.0
Franz Joseph Haydn
10 Minuets No.1 (German Dance) in D-Dur Hob.IX:22
Advanced Tec66.0
Mus★ 3.0
Franz Joseph Haydn
10 Minuets No.2 (German Dance I) in D-Dur Hob.IX:22
Advanced Tec66.0
Mus★ 3.0
Franz Joseph Haydn
10 Minuets No.3 (German Dance II) in G-Dur Hob.IX:22
Advanced Tec66.0
Mus★ 3.0
Tchaikovsky’s “In the Style of Chopin” is a short piece in which delicate lyricism reminiscent of Chopin meets Tchaikovsky’s richly expressive emotional language. The shaded melody in C-sharp minor unfolds songfully over its accompaniment, changing character along the way while maintaining a unified overall flow. Its highlights include the breathing quality of the melody, the color of the harmony, and the moments when its quiet tension is released. In performance, keep the right-hand melody supple without bringing out the inner voices too strongly, and keep the left hand light so that the balance between the voices remains clear. Use the pedal in accordance with harmonic changes to avoid blurring the resonance, and keep rhythmic flexibility restrained, guiding the phrase naturally toward its peaks.