🇦🇹Franz Peter Schubert : 12 Waltzes 17 Ländler and 9 Ecossaises | Waltz No.3 in D-Dur D145 Op.18
DifficultyThe base difficulty score is calculated using AI-assisted analysis.
MECHANICS
56.0
中級
Mus
★
★
★
★
★
4.0
Advanced
About This Piece’s Difficulty
Piabase rates this piece at 56.0 for technical difficulty ("Intermediate") and 4.0 for musicality.In addition to fundamental technique, this piece calls for a wider range of skills, including secure fingering and detailed control.Advanced expressive ability is required to shape tone color, phrasing, and the character of the work with care.Musical shaping matters more than the technical difficulty alone suggests, and expressive refinement after the notes are learned strongly affects the finished result.
Play Status
0
Total
Played
0
Practicing
0
Want to Play
0
Suitability
0
Total
Competition
0
Concert
0
Exam
0
Performance Videos
Pieces at a Similar Difficulty
Franz Peter Schubert
2 Landler No.1 in C-Dur D679
Intermediate Tec56.0
Mus★ 4.0
Franz Peter Schubert
2 Landler No.2 in G-Dur D679
Intermediate Tec56.0
Mus★ 4.0
Franz Peter Schubert
6 Landler No.1 in D-Dur D970
Intermediate Tec56.0
Mus★ 4.0
Franz Peter Schubert
6 Landler No.2 in A-Dur D970
Intermediate Tec56.0
Mus★ 4.0
Franz Peter Schubert
6 Landler No.6 in D-Dur D970
Intermediate Tec56.0
Mus★ 4.0
Franz Peter Schubert
8 Ecossaises No.5 in d-moll D977
Intermediate Tec56.0
Mus★ 4.0
Franz Peter Schubert
8 Landler No.1 in B-Dur D378
Intermediate Tec56.0
Mus★ 4.0
Franz Peter Schubert
8 Landler No.2 in F-Dur D378
Intermediate Tec56.0
Mus★ 4.0
This waltz comes from Schubert’s collection of dances and is characterized by the natural flow of triple meter and an appealing, approachable melody. Within its concise design, the roles of melody and accompaniment are clearly distinguished, preserving the light character of a dance. Its highlights include the well-shaped phrases and the gentle sway created by the movement of the beat. In performance, the left-hand accompaniment should remain discreet and balanced, allowing the right-hand melody to sing smoothly. Pedaling should be used carefully to avoid blurred sonorities, while the beats should not be overemphasized; a natural sense of breath brings a refined character to the piece.