🇦🇹Franz Peter Schubert : 12 Grazer Waltzes No.2 in E-Dur D924 Op.91
DifficultyThe base difficulty score is calculated using AI-assisted analysis.
MECHANICS
58.0
中級
Mus
★
★
★
★
★
4.0
Advanced
About This Piece’s Difficulty
Piabase rates this piece at 58.0 for technical difficulty ("Intermediate") and 4.0 for musicality.In addition to fundamental technique, this piece calls for a wider range of skills, including secure fingering and detailed control.Advanced expressive ability is required to shape tone color, phrasing, and the character of the work with care.Musical shaping matters more than the technical difficulty alone suggests, and expressive refinement after the notes are learned strongly affects the finished result.
Play Status
0
Total
Played
0
Practicing
0
Want to Play
0
Suitability
0
Total
Competition
0
Concert
0
Exam
0
Performance Videos
Pieces at a Similar Difficulty
Sergei Rachmaninov
2 Pieces No.2 in a-moll Op.2-2
Intermediate Tec58.0
Mus★ 4.0
Anatoly Konstantinovich Lyadov
2 Pieces Waltz Op.9-1
Intermediate Tec58.0
Mus★ 4.0
Franz Peter Schubert
2 Waltzes No.1 in G-Dur D980
Intermediate Tec58.0
Mus★ 4.0
Ludwig van Beethoven
3 Piano Sonatas WoO 47-2 f-moll
Intermediate Tec58.0
Mus★ 4.0
Alexander Scriabin
3 Pieces “Reverie” Op.49-3
Intermediate Tec58.0
Mus★ 4.0
Anatoly Konstantinovich Lyadov
3 Pieces Prelude on a Russian Theme Op.33-1
Intermediate Tec58.0
Mus★ 4.0
Pyotr Ilyich Tchaikovsky
3 Pieces Reverie Op.9-1
Intermediate Tec58.0
Mus★ 4.0
Anatoly Konstantinovich Lyadov
3 Pieces Waltz Op.57-2
Intermediate Tec58.0
Mus★ 4.0
Within its compact scale, this miniature distills Schubert’s gift for shaping a singing melody and the light, flowing motion of the waltz. The clear distinction between the right-hand melody and left-hand accompaniment preserves the character of the dance while maintaining the triple-meter pulse. A key point of interest is hearing the short phrase units and repetitions built around the opening theme, with natural breaths at the ends of each phrase. In performance, the first beat should not be overemphasized; allowing it to release lightly toward beats two and three brings out the melody’s supple quality. Use the pedal sparingly to avoid blurring the sound, while keeping the accompaniment controlled for an intimate and refined expression.