🇷🇺Nikolai Karlovich Medtner : Two Fairy Tales The Bell Pesante Op.20-2
DifficultyThe base difficulty score is calculated using AI-assisted analysis.
MECHANICS
78.0
上級
Mus
★
★
★
★
★
5.0
Elite
About This Piece’s Difficulty
Piabase rates this piece at 78.0 for technical difficulty ("Advanced") and 5.0 for musicality.Secure technique is required, and detailed control and the ability to shape the performance as a whole become important.Alongside deep understanding of the work, an exceptionally high level of musical expression is required in tone, phrasing, timing, and structure.
Play Status
0
Total
Played
0
Practicing
0
Want to Play
0
Suitability
0
Total
Competition
0
Concert
0
Exam
0
Performance Videos
Pieces at a Similar Difficulty
Nikolai Karlovich Medtner
3 Dithyrambs No.1 in D-Dur Op.10-1
Advanced Tec78.0
Mus★ 5.0
Nikolai Karlovich Medtner
3 Tales No.3 in E-Dur Op.17-3
Advanced Tec78.0
Mus★ 5.0
Alexander Scriabin
5 Preludes “Allegro drammatico” Op.74-3
Advanced Tec78.0
Mus★ 5.0
Alexander Scriabin
5 Preludes “Douloureux, dechirant” Op.74-1
Advanced Tec78.0
Mus★ 5.0
Franz Liszt
Années de pèlerinage deuxième année “Italie” Il penseroso in cis-moll S.161/R.10-2
Advanced Tec78.0
Mus★ 5.0
Franz Liszt
Années de pèlerinage deuxième année “Italie” Sonetto 123 del Petrarca in As-Dur S.161/R.10-6
Advanced Tec78.0
Mus★ 5.0
Franz Liszt
Années de pèlerinage première année “Suisse” Le mal du pays in e-moll S.160/R.10-8
Advanced Tec78.0
Mus★ 5.0
Franz Liszt
Années de pèlerinage troisième année Aux cyprès de la Villa d’Este II S.163/R.10
Advanced Tec78.0
Mus★ 5.0
The second piece in Medtner’s Two Fairy Tales, Op. 20, brings the set to a close. True to the indication pesante, it is a character piece dominated by weighty sonorities that evoke the tolling of a bell. Repeated bass notes and overlapping chords create a sense of tension, above which the melody emerges in fragments. A special point of interest lies in treating not only changes in dynamics but also rests and the resonance that follows them as integral parts of the music. Performers should maintain a heavy touch while keeping the inner voices and direction of the phrases clear, taking care not to let the pedal blur the texture.