🇷🇺Nikolai Karlovich Medtner : Two Fairy Tales No.1 in c-moll Op.8-1
DifficultyThe base difficulty score is calculated using AI-assisted analysis.
MECHANICS
72.0
上級
Mus
★
★
★
★
★
5.0
Elite
About This Piece’s Difficulty
Piabase rates this piece at 72.0 for technical difficulty ("Advanced") and 5.0 for musicality.Secure technique is required, and detailed control and the ability to shape the performance as a whole become important.Alongside deep understanding of the work, an exceptionally high level of musical expression is required in tone, phrasing, timing, and structure.
Play Status
0
Total
Played
0
Practicing
0
Want to Play
0
Suitability
0
Total
Competition
0
Concert
0
Exam
0
Performance Videos
Pieces at a Similar Difficulty
Nikolai Karlovich Medtner
3 Arabesques Tragic Fragment in a-moll Op.7-2
Advanced Tec72.0
Mus★ 5.0
Nikolai Karlovich Medtner
3 Dithyrambs No.3 in E-Dur Op.10-3
Advanced Tec72.0
Mus★ 5.0
Edvard Grieg
4 Pieces Non allegro e molto espressivo Op.1-2
Advanced Tec72.0
Mus★ 5.0
Alexander Scriabin
5 Preludes “Feir,belliqueux” Op.74-5
Advanced Tec72.0
Mus★ 5.0
Ludwig van Beethoven
6 Variations Op.105
Advanced Tec72.0
Mus★ 5.0
Franz Liszt
7 Lieder (Mendelssohn) S.547/R.217 No.5 “Spring Song”
Advanced Tec72.0
Mus★ 5.0
Isaac Albéniz
Cantos de España Prelude Asturias Op.232-1
Advanced Tec72.0
Mus★ 5.0
Ludwig van Beethoven
Cello Sonata No.2 in G-Moll Op.5-2
Advanced Tec72.0
Mus★ 5.0
The first piece in Medtner’s Two Fairy Tales is a character piece that condenses a narrative sense of tension into a brief span. An expressive motif unfolds in changing forms, while weighty chordal sonorities intersect with lyrical melodies that emerge in songful phrases. The contrasts in pace and dynamics, suggesting shifts between scenes, are among its most compelling features; clarifying the role of each voice also makes the musical flow easier to perceive. In performance, it is important to preserve the inner momentum of the beat without allowing the music to become merely hurried, and to bring the melody fully to the fore. The pedal should be used carefully in accordance with the harmonic changes, without clouding the sonority.