🇷🇺Sergei Sergeyevich Prokofiev : Tales of an Old Grandmother Op.31
DifficultyThe base difficulty score is calculated using AI-assisted analysis.
MECHANICS
56.0
中級
Mus
★
★
★
★
★
4.0
Advanced
About This Piece’s Difficulty
Piabase rates this piece at 56.0 for technical difficulty ("Intermediate") and 4.0 for musicality.In addition to fundamental technique, this piece calls for a wider range of skills, including secure fingering and detailed control.Advanced expressive ability is required to shape tone color, phrasing, and the character of the work with care.Musical shaping matters more than the technical difficulty alone suggests, and expressive refinement after the notes are learned strongly affects the finished result.
Play Status
0
Total
Played
0
Practicing
0
Want to Play
0
Suitability
0
Total
Competition
0
Concert
0
Exam
0
Performance Videos
Pieces at a Similar Difficulty
Franz Peter Schubert
2 Landler No.1 in C-Dur D679
Intermediate Tec56.0
Mus★ 4.0
Franz Peter Schubert
2 Landler No.2 in G-Dur D679
Intermediate Tec56.0
Mus★ 4.0
Franz Peter Schubert
6 Landler No.1 in D-Dur D970
Intermediate Tec56.0
Mus★ 4.0
Franz Peter Schubert
6 Landler No.2 in A-Dur D970
Intermediate Tec56.0
Mus★ 4.0
Franz Peter Schubert
6 Landler No.6 in D-Dur D970
Intermediate Tec56.0
Mus★ 4.0
Franz Peter Schubert
8 Ecossaises No.5 in d-moll D977
Intermediate Tec56.0
Mus★ 4.0
Franz Peter Schubert
8 Landler No.1 in B-Dur D378
Intermediate Tec56.0
Mus★ 4.0
Franz Peter Schubert
8 Landler No.2 in F-Dur D378
Intermediate Tec56.0
Mus★ 4.0
The first piece in Prokofiev’s Tales of an Old Grandmother, Op. 31. Centered on a simple, speech-like melody, it allows shadows and a hint of unease to emerge from an otherwise familiar and approachable character. As its concise phrases unfold, the music continually changes expression, and the contrast between quiet passages and more animated sections is one of its notable features. The melody should be brought clearly to the fore while the accompaniment remains restrained, with careful attention paid to rests and the ends of notes. Rather than pressing the tempo, performers should preserve its simplicity while bringing out the colors of the harmony and subtle dynamic changes.