🇩🇪Franz Joseph Haydn : Sonata No.46 in E-Dur Hob.XVI:31 Op.14-5
DifficultyThe base difficulty score is calculated using AI-assisted analysis.
MECHANICS
80.0
超上級
Mus
★
★
★
★
★
3.0
Intermediate
About This Piece’s Difficulty
Piabase rates this piece at 80.0 for technical difficulty ("Very Advanced") and 3.0 for musicality.Advanced technique and reliable control are required, with a high degree of technical polish needed.Fundamental musical expression, including dynamics, phrasing, and articulation, becomes an important part of the performance.It is important to handle the advanced technical demands securely while shaping the performance into a natural musical flow.
Play Status
0
Total
Played
0
Practicing
0
Want to Play
0
Suitability
0
Total
Competition
0
Concert
0
Exam
0
Performance Videos
Pieces at a Similar Difficulty
Alexander Scriabin
2 Dances “Flammes sombres” Op.73-2
Very Advanced Tec80.0
Mus★ 3.0
Franz Liszt
2 Pieces from “Lohengrin” (Wagner) S.446/R.279 – 1. Festive and Wedding Song As-Dur
Very Advanced Tec80.0
Mus★ 3.0
Felix Mendelssohn
3 Etudes No.1 in b-moll MWV.U117 Op.104b-1
Very Advanced Tec80.0
Mus★ 3.0
Alberto Ginastera
3 Pieces Criolla Op.6-3
Very Advanced Tec80.0
Mus★ 3.0
Nikolai Karlovich Medtner
4 Pieces Etude in gis-moll Op.4-1
Very Advanced Tec80.0
Mus★ 3.0
Nikolai Kapustin
7 Polyphonic Pieces for Left Hand Op.87
Very Advanced Tec80.0
Mus★ 3.0
Alexander Scriabin
8 Etudes Fis-Dur Op.42-3
Very Advanced Tec80.0
Mus★ 3.0
Alexander Scriabin
12 Etudes Cis-Dur Op.8-1
Very Advanced Tec80.0
Mus★ 3.0
Within its bright and poised writing, this sonata reveals Haydn’s characteristic sense of dialogue and wit. It is laid out in three movements: the first is shaped by the dialogue created through the presentation and development of its themes, while the finale is distinguished by lively momentum. The gentle lyricism of the middle movement provides an appealing contrast. In performance, the exchanges between voices should be made clear, and fine figures should be kept measured within a well-balanced rhythm. Dynamic changes are best kept restrained; allowing rests and phrase divisions to speak brings out the music’s transparency. Ornaments should be played with a natural lightness that does not interrupt the flow.