🇮🇹Domenico Scarlatti ： Sonata in d-moll K.90 L.106

This sonata unfolds through short motives, with the roles of melody and accompaniment changing subtly throughout. Viewed as a two-part structure, the material introduced in the first half can be understood as being developed in different registers and harmonic contexts in the second, making the movement toward the final cadence easier to follow. Do not rush the small-scale passagework with the fingers alone; instead, maintain a sense of metric grouping and breathing to keep it light. Listen carefully to the individual voices, and avoid allowing ornamental notes to stand out too much from the principal melody, so that the texture remains clear. In repeated passages, small changes in dynamics and tone color rather than mechanical repetition can bring out the momentum within the concise musical material.