🇮🇹Domenico Scarlatti : Sonata in D-Dur K.288 L.57
DifficultyThe base difficulty score is calculated using AI-assisted analysis.
MECHANICS
70.0
上級
Mus
★
★
★
★
★
3.0
Intermediate
About This Piece’s Difficulty
Piabase rates this piece at 70.0 for technical difficulty ("Advanced") and 3.0 for musicality.Secure technique is required, and detailed control and the ability to shape the performance as a whole become important.Fundamental musical expression, including dynamics, phrasing, and articulation, becomes an important part of the performance.
Play Status
0
Total
Played
0
Practicing
0
Want to Play
0
Suitability
0
Total
Competition
0
Concert
0
Exam
0
Performance Videos
Pieces at a Similar Difficulty
Alexander Scriabin
3 Pieces “Poeme fantasque” C-Dur Op.45-2
Advanced Tec70.0
Mus★ 3.0
Karol Maciej Szymanowski
4 Polish Dances Polonaise
Advanced Tec70.0
Mus★ 3.0
Francis Jean Marcel Poulenc
5 Impromptus No.4 FP.21
Advanced Tec70.0
Mus★ 3.0
Ignacy Jan Paderewski
6 Concert Humoresques Burlesque Op.14-4
Advanced Tec70.0
Mus★ 3.0
Alexander Scriabin
6 Preludes D-Dur Op.13-5
Advanced Tec70.0
Mus★ 3.0
Franz Joseph Haydn
12 Minuets No.1 in D-Dur Hob.IX:3
Advanced Tec70.0
Mus★ 3.0
Franz Joseph Haydn
12 Minuets No.1 in D-Dur Hob.IX:11
Advanced Tec70.0
Mus★ 3.0
Franz Joseph Haydn
12 Minuets No.4 in E-Dur Hob.IX:11
Advanced Tec70.0
Mus★ 3.0
Scarlatti’s Sonata in D-Dur, K.288 L.57, places less emphasis on rapid virtuosity than on the breath of the melody and the subtle movement of the harmony within an unhurried flow. Essentially a single-movement work in binary form, it unfolds through phrases that seem to converse, while repetition gives shape to the musical progression. The singing line in the right hand should be sustained carefully, with the left hand providing clear support without being buried beneath it. Ornamentation should not sound mechanical, but should follow the pulse with natural poise. Attention to note lengths and rests, together with restrained pedal use, brings out the work’s classical clarity and delicate expression.