Robert Schumann ： Six Studies after Paganini Caprices No.1 in a-moll Op.3-1

This étude explores the virtuosic material found in a Paganini caprice as a study for solo piano. Continuous passagework demands both a light, agile motion and a clear, well-shaped line. While maintaining a consistent study-like character throughout, changes in register and dynamics shift the musical scene and sustain the tension. A key point to hear is the shaping of the phrases through an awareness of harmonic changes, using the wrist and arm flexibly rather than relying solely on right-hand agility. By avoiding excessive speed and balancing clarity with expressive nuance, the musical line behind the brilliant virtuosity comes into view.