🇷🇺Alexander Scriabin : Poème satanique C-Dur Op.36
DifficultyThe base difficulty score is calculated using AI-assisted analysis.
MECHANICS
88.0
超上級
Mus
★
★
★
★
★
5.0
Elite
About This Piece’s Difficulty
Piabase rates this piece at 88.0 for technical difficulty ("Very Advanced") and 5.0 for musicality.Advanced technique and reliable control are required, with a high degree of technical polish needed.Alongside deep understanding of the work, an exceptionally high level of musical expression is required in tone, phrasing, timing, and structure.Both advanced technique and expressive ability are required, and technical polish must be balanced with musical shaping at a high level.
Play Status
0
Total
Played
0
Practicing
0
Want to Play
0
Suitability
0
Total
Competition
0
Concert
0
Exam
0
Performance Videos
Pieces at a Similar Difficulty
Robert Schumann
Carnaval ‘Scènes mignonnes sur quatre notes’ Op.9
Very Advanced Tec88.0
Mus★ 5.0
Nikolai Karlovich Medtner
Forgotten Melodies Book 2 Sonata Tragica Op.39-5
Very Advanced Tec88.0
Mus★ 5.0
Johann Sebastian Bach
Goldberg Variations G-Dur BWV 988
Very Advanced Tec88.0
Mus★ 5.0
Johann Sebastian Bach
Partita no.6 h-moll BWV 830
Very Advanced Tec88.0
Mus★ 5.0
Nikolai Karlovich Medtner
Piano Sonata No.5 in g-moll Op.22
Very Advanced Tec88.0
Mus★ 5.0
Sergei Rachmaninov
Piano Trio No.2 e-moll “Elegiac” Op.9
Very Advanced Tec88.0
Mus★ 5.0
Frederic Chopin
Polonaise no.5 fis-moll Op.44
Very Advanced Tec88.0
Mus★ 5.0
Franz Liszt
Robert le Diable – Valse infernale S.413
Very Advanced Tec88.0
Mus★ 5.0
This highly charged character piece combines a sharp sense of drive with brilliant virtuosity. Rapid musical motion is interwoven with strong accents and chromatic fluctuations, causing lightness and unease to alternate in quick succession. The work unfolds as a largely uninterrupted stream, while singing expressions that emerge between the vigorous principal gestures add depth and shading to the music. In performance, it is important to keep the fine right-hand figuration and leaps clear without losing the momentum of the left hand. Rather than making the forte passages merely rough, listen for the direction of the accents and the harmonic changes; carrying the music lightly while maintaining its tension brings out its stimulating character.