🇩🇪Johannes Brahms : Neue Liebeslieder Waltzes No.9 in e-moll Op.65a-9
DifficultyThe base difficulty score is calculated using AI-assisted analysis.
MECHANICS
50.0
中級
Mus
★
★
★
★
★
4.0
Advanced
About This Piece’s Difficulty
Piabase rates this piece at 50.0 for technical difficulty ("Intermediate") and 4.0 for musicality.In addition to fundamental technique, this piece calls for a wider range of skills, including secure fingering and detailed control.Advanced expressive ability is required to shape tone color, phrasing, and the character of the work with care.Musical shaping matters more than the technical difficulty alone suggests, and expressive refinement after the notes are learned strongly affects the finished result.
Play Status
0
Total
Played
0
Practicing
0
Want to Play
0
Suitability
0
Total
Competition
0
Concert
0
Exam
0
Performance Videos
Pieces at a Similar Difficulty
Georg Friedrich Händel
2 Chaconnes No.1 in F-Dur HWV 485
Intermediate Tec50.0
Mus★ 4.0
Jean Sibelius
4 Lyric Pieces – Gentle West Wind Op.74-2
Intermediate Tec50.0
Mus★ 4.0
Dmitri Borisovich Kabalevsky
4 Preludes No.1 Semplice Op.5-1
Intermediate Tec50.0
Mus★ 4.0
Jean Sibelius
5 Characteristic Impressions – In Mournful Mood Op.103-5
Intermediate Tec50.0
Mus★ 4.0
Jean Sibelius
5 Pieces (The Trees) – When the Rowan Blossoms Op.75-1
Intermediate Tec50.0
Mus★ 4.0
Franz Peter Schubert
6 Ecossaises No.1 in As-Dur D421
Intermediate Tec50.0
Mus★ 4.0
Franz Peter Schubert
6 Ecossaises No.1 in As-Dur D697
Intermediate Tec50.0
Mus★ 4.0
Franz Peter Schubert
6 Ecossaises No.2 in As-Dur D697
Intermediate Tec50.0
Mus★ 4.0
No. 9 from Brahms’s Neue Liebeslieder Waltzes is a piano duet built on the gentle sway of a waltz in triple meter, bringing together a songful melody and lively accompanimental motion. The music unfolds as short units seem to pass between the parts, and the contrast between lighter passages and more shaded sonorities is one of its attractions. The upper player should keep the melody clear, while the lower player supports the flow of the beat, with careful attention to the balance of the inner voices as well. Avoiding haste at the ends of phrases and coordinating the supple breathing of the waltz with the delicate exchanges between four hands will bring out the music’s intimate and expressive character.