🇷🇺Alexander Scriabin : Fugue f-moll WoO 12
DifficultyThe base difficulty score is calculated using AI-assisted analysis.
MECHANICS
66.0
上級
Mus
★
★
★
★
★
3.0
Intermediate
About This Piece’s Difficulty
Piabase rates this piece at 66.0 for technical difficulty ("Advanced") and 3.0 for musicality.Secure technique is required, and detailed control and the ability to shape the performance as a whole become important.Fundamental musical expression, including dynamics, phrasing, and articulation, becomes an important part of the performance.
Play Status
0
Total
Played
0
Practicing
0
Want to Play
0
Suitability
0
Total
Competition
0
Concert
0
Exam
0
Performance Videos
Pieces at a Similar Difficulty
Aram Il’ich Khachaturian
2 Pieces Dance
Advanced Tec66.0
Mus★ 3.0
Felix Mendelssohn
6 Children Pieces No.2 in Es-Dur MWV.U170 Op.72
Advanced Tec66.0
Mus★ 3.0
Felix Mendelssohn
6 Children Pieces No.4 in D-Dur MWV.U169 Op.72
Advanced Tec66.0
Mus★ 3.0
Felix Mendelssohn
6 Children Pieces No.6 in F-Dur MWV.U168 Op.72
Advanced Tec66.0
Mus★ 3.0
Ernst von Dohnányi
6 pieces Scherzino Op.41-2
Advanced Tec66.0
Mus★ 3.0
Franz Joseph Haydn
10 Minuets No.1 (German Dance) in D-Dur Hob.IX:22
Advanced Tec66.0
Mus★ 3.0
Franz Joseph Haydn
10 Minuets No.2 (German Dance I) in D-Dur Hob.IX:22
Advanced Tec66.0
Mus★ 3.0
Franz Joseph Haydn
10 Minuets No.3 (German Dance II) in G-Dur Hob.IX:22
Advanced Tec66.0
Mus★ 3.0
Scriabin’s Fugue in F minor, WoO 12 is shaped by the clarity of its counterpoint and the tension created as the subject is passed from one voice to another. From the opening entries through the layering of the voices, carefully distinguishing the movement of each line makes the musical flow easier to follow. In performance, it is important to preserve the independence of each voice while shaping the whole as one broad musical line. Rather than overemphasizing the subject, make each entry clear and align the direction of the phrases and the precise note values so that the momentum within the overlapping lines can emerge. Use the pedal sparingly, only where it does not blur the texture, and remain attentive to the changing tension as the music moves toward its cadences.