🇩🇪Robert Schumann : Fantasiestucke Aufschwung f-moll Op.12-2
DifficultyThe base difficulty score is calculated using AI-assisted analysis.
MECHANICS
76.0
上級
Mus
★
★
★
★
★
4.0
Advanced
About This Piece’s Difficulty
Piabase rates this piece at 76.0 for technical difficulty ("Advanced") and 4.0 for musicality.Secure technique is required, and detailed control and the ability to shape the performance as a whole become important.Advanced expressive ability is required to shape tone color, phrasing, and the character of the work with care.
Play Status
0
Total
Played
0
Practicing
0
Want to Play
0
Suitability
0
Total
Competition
0
Concert
0
Exam
0
Performance Videos
Pieces at a Similar Difficulty
Bartók Béla Viktor János
2 Elegies II Molto adagio sempre rubato BB 49 Sz 41 Op.8b-2
Advanced Tec76.0
Mus★ 4.0
Alexander Scriabin
2 Poèmes D-Dur Op.32-2
Advanced Tec76.0
Mus★ 4.0
Ernst von Dohnányi
3 Pieces Aria Op.23-1
Advanced Tec76.0
Mus★ 4.0
Johann Sebastian Bach
4 Duette Nr.4 a-moll BWV 805
Advanced Tec76.0
Mus★ 4.0
Robert Schumann
4 Nachatstücke Ad libitum – Einfach (Rundgesang mit Solostimmen) F-Dur Op.23-4
Advanced Tec76.0
Mus★ 4.0
Alexander Scriabin
4 Pieces “Poeme aile” Op.51-3
Advanced Tec76.0
Mus★ 4.0
Ernst von Dohnányi
6 Pieces Bells Op.41-6
Advanced Tec76.0
Mus★ 4.0
Dmitri Dmitriyevich Shostakovich
8 Preludes No.7 in Des-Dur Op.2
Advanced Tec76.0
Mus★ 4.0
This miniature is distinguished by its vivid contrasts: a main section that bursts forward alternates with a calm, songful passage before returning to the momentum of the opening. The continuous stream of delicate motion calls not only for nimble fingertips but also for a firm rhythmic sense that maintains the flow of the beat. Strong accents are most effective when they are not forced through volume alone, but shaped as a sense of direction toward the peaks of the phrases. In the middle section, bring out the melody carefully while keeping the accompaniment restrained. At the transitions, avoid blurring the pedal, and balance the energetic tempo with singing, naturally breathing phrasing to bring out the piece’s appeal.