🇫🇷Jacques Ibert : Fairy
DifficultyThe base difficulty score is calculated using AI-assisted analysis.
MECHANICS
58.0
中級
Mus
★
★
★
★
★
4.0
Advanced
About This Piece’s Difficulty
Piabase rates this piece at 58.0 for technical difficulty ("Intermediate") and 4.0 for musicality.In addition to fundamental technique, this piece calls for a wider range of skills, including secure fingering and detailed control.Advanced expressive ability is required to shape tone color, phrasing, and the character of the work with care.Musical shaping matters more than the technical difficulty alone suggests, and expressive refinement after the notes are learned strongly affects the finished result.
Play Status
0
Total
Played
0
Practicing
0
Want to Play
0
Suitability
0
Total
Competition
0
Concert
0
Exam
0
Performance Videos
Pieces at a Similar Difficulty
Sergei Rachmaninov
2 Pieces No.2 in a-moll Op.2-2
Intermediate Tec58.0
Mus★ 4.0
Anatoly Konstantinovich Lyadov
2 Pieces Waltz Op.9-1
Intermediate Tec58.0
Mus★ 4.0
Franz Peter Schubert
2 Waltzes No.1 in G-Dur D980
Intermediate Tec58.0
Mus★ 4.0
Ludwig van Beethoven
3 Piano Sonatas WoO 47-2 f-moll
Intermediate Tec58.0
Mus★ 4.0
Alexander Scriabin
3 Pieces “Reverie” Op.49-3
Intermediate Tec58.0
Mus★ 4.0
Anatoly Konstantinovich Lyadov
3 Pieces Prelude on a Russian Theme Op.33-1
Intermediate Tec58.0
Mus★ 4.0
Pyotr Ilyich Tchaikovsky
3 Pieces Reverie Op.9-1
Intermediate Tec58.0
Mus★ 4.0
Anatoly Konstantinovich Lyadov
3 Pieces Waltz Op.57-2
Intermediate Tec58.0
Mus★ 4.0
Ibert’s Fairy is a fantastical piano miniature that concentrates a sense of color and wit into a short span of time. Light, buoyant rhythms and delicate movements appear in changing guises, while the contrast between transparent sonorities and moments of subtle shadow provides much of its appeal. Rather than emphasizing sharply defined sections, performers may find it effective to shape the music as a flow of scenes that shift one after another. A light touch with even, clearly articulated notes should form the foundation, while dynamic changes need to be carefully differentiated. Restrained pedaling is also important for preserving the clarity of the sonority.