🇷🇴Ligeti György Sándor : Etudes Book II No.14 Columna infinita
DifficultyThe base difficulty score is calculated using AI-assisted analysis.
MECHANICS
89.0
超上級
Mus
★
★
★
★
★
3.0
Intermediate
About This Piece’s Difficulty
Piabase rates this piece at 89.0 for technical difficulty ("Very Advanced") and 3.0 for musicality.Advanced technique and reliable control are required, with a high degree of technical polish needed.Fundamental musical expression, including dynamics, phrasing, and articulation, becomes an important part of the performance.It is important to handle the advanced technical demands securely while shaping the performance into a natural musical flow.
Play Status
0
Total
Played
0
Practicing
0
Want to Play
0
Suitability
0
Total
Competition
0
Concert
0
Exam
0
Performance Videos
Pieces at a Similar Difficulty
Alexander Scriabin
3 Etudes G-Dur Op.65-3
Very Advanced Tec89.0
Mus★ 3.0
Karol Maciej Szymanowski
4 Etudes in b-moll Op.4-3
Very Advanced Tec89.0
Mus★ 3.0
Dmitri Dmitriyevich Shostakovich
24 Preludes and Fugues No.24 in d-moll Op.87-24
Very Advanced Tec89.0
Mus★ 3.0
Nikolai Kapustin
Ballade Op.94
Very Advanced Tec89.0
Mus★ 3.0
Nikolai Kapustin
Concert Etude Prelude Op.40-1
Very Advanced Tec89.0
Mus★ 3.0
Frederic Chopin
Etude No.1 C-Dur Op.10
Very Advanced Tec89.0
Mus★ 3.0
Franz Liszt
Fantasy and Fugue on the name B-A-C-H h-moll S.529
Very Advanced Tec89.0
Mus★ 3.0
Karol Maciej Szymanowski
Fantasy Op.14
Very Advanced Tec89.0
Mus★ 3.0
This etude creates the illusion of an endlessly rising motion through repeated patterns and finely interwoven rhythms. The expanding register and placement of accents bring tension and a sense of direction to what may appear to be the same continuous movement. Rather than presenting clearly marked sections, it can be heard as a form in which the sonority and points of gravity shift within an uninterrupted flow. In performance, the rapid patterns should remain even while the contours of the individual voices stay clear, and the accents should not be forced into mechanical prominence. Pedaling should be used only as far as it preserves clarity, balancing the sustained sense of motion with a three-dimensional sonority.