🇷🇴Ligeti György Sándor : Etudes Book II No.13 L’escalier du diable
DifficultyThe base difficulty score is calculated using AI-assisted analysis.
MECHANICS
92.0
最上級
Mus
★
★
★
★
★
2.0
Moderate
About This Piece’s Difficulty
Piabase rates this piece at 92.0 for technical difficulty ("Highest") and 2.0 for musicality.Exceptional technique is required, together with the comprehensive ability to control advanced technical demands consistently.Keeping the basic character of the music in mind helps bring out the work’s features more naturally.The technical demands outweigh the expressive ones, making accuracy, stability, and control of technique particularly important.
Play Status
0
Total
Played
0
Practicing
0
Want to Play
0
Suitability
0
Total
Competition
0
Concert
0
Exam
0
Performance Videos
Pieces at a Similar Difficulty
Ligeti György Sándor
3 Pieces for Two Pianos Movement
Highest Tec92.0
Mus★ 2.0
Claude Debussy
12 Etudes No.2 “Pour les tierces” L.136
Highest Tec92.0
Mus★ 2.0
Claude Debussy
12 Etudes No.5 “Pour les octaves” L.136
Highest Tec92.0
Mus★ 2.0
Nikolai Kapustin
Concerto for Two Pianos and Percussion Op.104
Highest Tec92.0
Mus★ 2.0
Franz Liszt
Ernani – Paraphrase de concert (Verdi) Es-Dur S.432/R.265
Highest Tec92.0
Mus★ 2.0
Ligeti György Sándor
Etudes Book II No.9 Vertige
Highest Tec92.0
Mus★ 2.0
Ligeti György Sándor
Etudes Book II No.10 Der Zauberlehrling
Highest Tec92.0
Mus★ 2.0
Nikolai Kapustin
Five Etudes in Different Intervals Animato: Etude in octaves Op.68-5
Highest Tec92.0
Mus★ 2.0
The Devil’s Staircase is a demanding etude that combines a sense of ceaseless upward motion with the driving force of sharply defined rhythms. As small patterns are passed from one hand to the other, the register expands, and tension builds through repetition and change. Shifts in accent and changes in density emerge within the continuous flow, so simply lining up the notes mechanically can obscure the music’s direction. First clarify the contours of each voice and the beat’s points of gravity; prioritize an even touch and clear articulation over speed. Maintaining the long upward momentum while showing changes of dynamics and sonority from one passage to the next is key to sustaining concentration through the ending.