🇩🇪Robert Schumann : Album fur die Jugend Erster Verlust in e-moll Op.68-16
DifficultyThe base difficulty score is calculated using AI-assisted analysis.
MECHANICS
38.0
初級
Mus
★
★
★
★
★
4.0
Advanced
About This Piece’s Difficulty
Piabase rates this piece at 38.0 for technical difficulty ("Elementary") and 4.0 for musicality.This piece can be approached with fundamental technique, while gradually developing accuracy and control.Advanced expressive ability is required to shape tone color, phrasing, and the character of the work with care.Although technically approachable, the piece requires strong expressive ability to sound true to its character.
Play Status
0
Total
Played
0
Practicing
0
Want to Play
0
Suitability
0
Total
Competition
0
Concert
0
Exam
0
Performance Videos
Pieces at a Similar Difficulty
Bartók Béla Viktor János
3 Piano Pieces No.1 Intermezzo
Elementary Tec38.0
Mus★ 4.0
Erik Satie
6 Pièces agréables Impudence
Elementary Tec38.0
Mus★ 4.0
Bartók Béla Viktor János
10 Easy Piano Pieces No.2 Slow Torment BB 51 Sz 39
Elementary Tec38.0
Mus★ 4.0
Edvard Grieg
25 Norwegian Dances and Songs Saebygga Op.17-21
Elementary Tec38.0
Mus★ 4.0
Edvard Grieg
25 Norwegian Dances and Songs Suitor Song Op.17-10
Elementary Tec38.0
Mus★ 4.0
Edvard Grieg
25 Norwegian Dances and Songs Ungersvennen Op.17-2
Elementary Tec38.0
Mus★ 4.0
Mily Alekseyevich Balakirev
30 Russian Folk Songs No.1 Dormition Feast in g-moll
Elementary Tec38.0
Mus★ 4.0
Mily Alekseyevich Balakirev
30 Russian Folk Songs No.2 Egoriy the Brave in d-moll
Elementary Tec38.0
Mus★ 4.0
The 16th piece in Album for the Young, “First Loss,” is a piano miniature that condenses lyrical shading into a brief span. A singing melody in the right hand proceeds as if in dialogue with the left-hand accompaniment, while repetitions and transitions between concise phrases portray quiet emotional fluctuations. Rather than focusing on a large-scale development, listeners should attend to the breathing of each phrase and its changing expressive character. In performance, bring the melody clearly to the fore while ensuring that the tone does not recede even in subdued passages. Avoid rushing the ends of phrases, and treat rests and lingering resonance with care to convey the delicate atmosphere. Use the pedal only insofar as it does not blur the sonority, and pay attention to the balance of the inner voices and accompaniment.