🇷🇺Alexander Scriabin : 24 Preludes E-Dur Op.11-9
DifficultyThe base difficulty score is calculated using AI-assisted analysis.
MECHANICS
56.0
中級
Mus
★
★
★
★
★
4.0
Advanced
About This Piece’s Difficulty
Piabase rates this piece at 56.0 for technical difficulty ("Intermediate") and 4.0 for musicality.In addition to fundamental technique, this piece calls for a wider range of skills, including secure fingering and detailed control.Advanced expressive ability is required to shape tone color, phrasing, and the character of the work with care.Musical shaping matters more than the technical difficulty alone suggests, and expressive refinement after the notes are learned strongly affects the finished result.
Play Status
0
Total
Played
0
Practicing
0
Want to Play
0
Suitability
0
Total
Competition
0
Concert
0
Exam
0
Performance Videos
Pieces at a Similar Difficulty
Franz Peter Schubert
2 Landler No.1 in C-Dur D679
Intermediate Tec56.0
Mus★ 4.0
Franz Peter Schubert
2 Landler No.2 in G-Dur D679
Intermediate Tec56.0
Mus★ 4.0
Franz Peter Schubert
6 Landler No.1 in D-Dur D970
Intermediate Tec56.0
Mus★ 4.0
Franz Peter Schubert
6 Landler No.2 in A-Dur D970
Intermediate Tec56.0
Mus★ 4.0
Franz Peter Schubert
6 Landler No.6 in D-Dur D970
Intermediate Tec56.0
Mus★ 4.0
Franz Peter Schubert
8 Ecossaises No.5 in d-moll D977
Intermediate Tec56.0
Mus★ 4.0
Franz Peter Schubert
8 Landler No.1 in B-Dur D378
Intermediate Tec56.0
Mus★ 4.0
Franz Peter Schubert
8 Landler No.2 in F-Dur D378
Intermediate Tec56.0
Mus★ 4.0
This intimate prelude is marked by the brightness of E major and a gentle lyrical quality. A flowing accompaniment supports a singing melody, while the brief piece moves from a quiet, conversational opening toward a soft intensification. Its appeal lies in the delicate shades created by inner voices and harmonic changes, as well as the natural, breathing flow of the melody. In performance, the melody should emerge clearly from the accompaniment, while the sound retains its resonance even at a restrained dynamic. Use the pedal carefully to avoid blurring the harmony, and shape the direction of each phrase and its afterglow with care to bring out the work’s lyricism.