🇷🇺Alexander Scriabin : 24 Preludes cis-moll Op.11-10
DifficultyThe base difficulty score is calculated using AI-assisted analysis.
MECHANICS
62.0
上級
Mus
★
★
★
★
★
4.0
Advanced
About This Piece’s Difficulty
Piabase rates this piece at 62.0 for technical difficulty ("Advanced") and 4.0 for musicality.Secure technique is required, and detailed control and the ability to shape the performance as a whole become important.Advanced expressive ability is required to shape tone color, phrasing, and the character of the work with care.
Play Status
0
Total
Played
0
Practicing
0
Want to Play
0
Suitability
0
Total
Competition
0
Concert
0
Exam
0
Performance Videos
Pieces at a Similar Difficulty
Franz Peter Schubert
2 German Dances No.2 in D-Dur D769
Advanced Tec62.0
Mus★ 4.0
Franz Peter Schubert
2 German Dances No.2 in G-Dur D974
Advanced Tec62.0
Mus★ 4.0
Anatoly Konstantinovich Lyadov
2 Intermezzi Allegro con Fuoco Op.8-1
Advanced Tec62.0
Mus★ 4.0
Franz Peter Schubert
3 German Dances No.2 in A-Dur D972
Advanced Tec62.0
Mus★ 4.0
Franz Peter Schubert
3 German Dances No.2 in D-Dur D973
Advanced Tec62.0
Mus★ 4.0
Franz Peter Schubert
3 German Dances No.2 in Es-Dur D971
Advanced Tec62.0
Mus★ 4.0
Ludwig van Beethoven
3 Marches for Four Hands No.1 in C-Dur Op.45-1
Advanced Tec62.0
Mus★ 4.0
Ludwig van Beethoven
3 Marches for Four Hands No.2 in Es-Dur Op.45-2
Advanced Tec62.0
Mus★ 4.0
This introspective, highly lyrical miniature begins with restrained poise. A long-breathed melody in the right hand is gently supported by chords and a broken-texture accompaniment in the left hand, creating waves of tension and release within its concise span. A central intensification, in which the sonority and dynamics gradually gain weight, leads to a climax before the calm of the opening returns. The melody should be carefully connected while the accompaniment remains understated, and the pedal should be changed frequently enough to keep the harmonic shifts clear. Flexible rubato that follows the music’s breathing, without rushing, and careful voicing of the inner movement are essential to the performance.